crossing the continental divide.
in which cindy (now in hawaii) writes the granddaddy of all blog entries to catch her faithful readers up on what she's been doing for the last two months.
after I completed the camino de santiago on 16 july, I headed north to cooler climes. first stop: the netherlands.
while trekking in nepal, delaney and I had met a couple from utrecht, a university town about thirty minutes from amsterdam. they were tall, attractive, extremely fit, fluent in english, and -- best of all -- extended an invitation to me to visit them in holland whenever I happened to get there.
after a month and a half in spain, holland was a bit of a shock. my first impressions were that the dutch were tall, blond, fashionable people, given to efficiency and a businesslike demeanor. they greeted each other with three kisses, alternating right and left cheeks. holland, in contrast to spain, was rainy and expensive. a cup of tea, my litmus test for any new city, was two euros ($2.75).
in spain, I had identified myself primarily as a pilgrim -- someone who had forgone temporary luxuries like cute outfits, proper hotels and restaurant meals in order to focus on the spiritual and physical journey. pilgrims are a common sight, and it's understood that they usually aren't carrying a lot of material possessions or cash. the 'impoverished peregrino' culture of northern spain had therefore enabled me to do such things as wash my same two sets of clothes in the sink, ask bartenders to refill my water bottle, linger over a pastry and cup of tea for three hours at a cafe, or eat grocery-store meals on park benches without much embarrassment. here, I felt a sudden pressure to buy bottled water, pay the fifty euro cents required to use public toilets instead of peeing behind a bush, and to order proper meals in restaurants. it was disconcerting but not to the point where I felt uncomfortable in this clean, polite, hyper-efficient country. on the contrary, I loved it.
after a few days with bas and mari, I hopped a train to The Hague (Den Haag), the political nexus of the netherlands. a camino friend had put me in touch with her former co-worker there, who had offered me a place to stay. I stayed with ginny for four days, reveling in her spacious apartment's high-speed internet connection, washing machine and dryer, well-stocked kitchen and proximity to the tram line. I explored the hague, amsterdam, delft, and haarlem at my leisure. I admired amsterdam's architecture (both of the buildings and the elaborate dike system protecting the country from encroaching seas) from a boat cruise up and down the endless canals. I browsed an outdoor market in delft and bought myself the quintessential dutch souvenir -- a set of flowered vinyl bicycle panniers. I purchased french fries covered in a tasty mystery sauce from a street vendor. and in haarlem, I visited something I had read about years ago and had always been fascinated by -- The Hiding Place.
corrie, her sister betsie, and their 80-year-old father were taken away to a concentration camp in germany, where betsie and their father eventually died. while in her prison cell, corrie received a package from their sister nollie. the address written on the front slanted upward, toward the postage stamp. recognizing it as a sign, corrie moistened the stamp and carefully peeled it off. underneath, written in tiny letters, was the message: All the watches in your closet are safe. the six jews, after four days in the hiding place, had all escaped unharmed.
you can read more about corrie and The Hiding Place here: http://en.wikipedia.org/wiki/Corrie_Ten_Boom
from amsterdam, I then caught a plane to stockholm. sofia, a swedish girl I'd met on the camino, had offered me a place to stay. knowing full well that I'd never be able to afford scandinavia without a sofa to crash on, I gratefully accepted her offer.
I highly recommend a day (it's difficult to do it in less) at skansen for anyone making a trip to stockholm. info here:
http://www.skansen.se/
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http://en.wikipedia.org/wiki/Temppeliaukio_church
and here's a link to the famous train station:
http://en.wikipedia.org/wiki/Helsinki_Central_railway_station
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the highlight of my stay in kuopio was a visit to Rauhalahti, the largest public smoke sauna in finland -- it seats 60. the finns invented the sauna (pronounced 'sow-na'), and it's a tradition that has been in use for hundreds of years. taking sauna is an important ritual for social, physical and even spiritual reasons. in years past, they were even used for giving birth, as they were usually the cleanest facility around. the non-sexual aspect of the finnish sauna is quite strict, and you will typically see men, women, and children all relaxing at the same time, usually nude or with a brief towel.
a smoke sauna is one that is heated not electrically, but with a wood fire. the fire is built into a stove at one end of the room and topped with hot rocks, onto which ladlesful of water are thrown from a bucket to produce cleansing steam. I had never liked taking sauna before -- I overheat very easily, and it always felt oppressively blistering -- but for some reason, this time I was not only able to handle the heat, I thoroughly enjoyed it. there were about eighteen or twenty other people in the dark room, of all ages, chatting quietly and occasionally getting up to throw more water on the coals or step into the shower room. it was very calming.
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next stop: rovaniemi, on the arctic circle. this little town has two major claims to fame: the 'santa claus village' a few kilometers away, where visitors can not only send postcards postmarked with a special 'north pole' stamp and shop for christmas-themed souvenirs all year long, but can also visit with santa and his elves in their workshop; and Lordi, the 'monster rock' band that won the Eurovision Song Contest last year (finland's first win). eurovision is akin to our American Idol, with the winners propelled to instant stardom. Lordi plays heavy metal while flanked by spectacular pyrotechnics and costumed in elaborate KISS-style getups that include masks made of foam and latex. a public square in rovaniemi is now named after them.
here's a link to Lordi's website, for a giggle:
http://www.lordi.fi/
rovaniemi milks the santa theme for all it's worth -- I stayed at Hostel Rudolf, just down the street from Hotel Santa Claus. the train that pulls into rovaniemi is stencilled on each car with Santa Claus Express.
nevertheless, I bypassed a visit to the santa claus village to instead see an ethnographic open-air museum that featured a farmhouse community transplanted from various locations around finland and a sami (lapp) cultural center.
the sami are the indigenous people of northern scandinavia and western russia. traditional reindeer herders, trappers and fishers, many of them still live in rugged lappland, albeit with many modern trappings and conveniences (such as using snowmobiles to herd their reindeer). their language, also part of the finno-ugric family, is distinct and separate from finnish or swedish.
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the next day, I rented a mountain bike from the local information center and took off for a local reindeer farm, about an hour's ride away. reindeer walked languidly away as I pedaled past them, looking not at all concerned. most of the 14,000 reindeer in the inari area belong to various herds, but are allowed to graze freely. when I arrived at the farm, the tour was just about to start. a woman dressed in traditional lapp clothing herded us through a fence, picked up a stout stick, and banged several times on a tree.
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I rode back down to helsinki the next morning by bus and train and bought myself another ferry ticket -- this time to tallinn, estonia.
as soon as I walked into the market, I felt like I was back in mongolia at ulaanbaatar's har zakh. kiosks were selling soviet memorabilia, cosmetics, used books, cuts of meat, fresh produce. I even recognized some of the toiletry brands as the same stuff I'd used while in peace corps -- harmony soap, blend-a-med toothpaste. what a trip down memory lane.
as I walked up the street, I noticed a large tour group on the other side, the type that comes off cruise ships, consisting mostly of older asian people. their group leader was holding a flag on which I could read the name of the cruise: Sun Tours Hawaii. hmmm, I thought. it's a pretty small world.
I crossed the street and asked the folks at the back of the line, Hey, you guys from Hawaii?
in surprise at hearing a pidgin accent, a few of them stopped.
Where you from? one lady asked. she was wearing a big flowered hat.
I grew up in Mililani. My parents still live there.
Oh! What's your name? she asked.
Cindy Ogasawara.
pause. Are you Roy's daughter?
told you it was a small world.
my tourist brochure mentioned a greek catholic ukrainian church in a remote corner of old town. I had never been in a ukrainian church before, so I set out to find it.
down a little-traveled alleyway, I came to the large wooden door set into the stone wall and fitted with an iron knocker. there was no one around. I knocked.
a few seconds later, the door opened. an elderly man with dancing blue eyes stood there. without a word, he beckoned me in.
we walked into a courtyard ringed with ancient oak trees, filled with light and flowers and a tinkling fountain. a couple of other men were doing woodwork at a table. they barely acknowledged me.
the old man opened another ancient door. I walked through into the most beautiful church I have ever seen.
it wasn't huge and filled with stained glass, like the cathedrals of spain. it wasn't whitewashed and palatial like the helsinki cathedral. it was small and dark and smelled of incense. the pews were roughly hewn out of dark wood, but polished by decades of worshipers sitting in them. there were mysterious icons at the front of the church, gold-haloed saints half-smiling beatifically down at me. iron chandeliers hung from the ceiling, filled with melted candle stubs. I knew immediately that this was a sacred space. it was apparent that people had been worshiping here for a long, long time.
the man disappeared. I sank into one of the pews and just sat there, reveling in the quiet and beauty.
all of a sudden, the floor started to open up.
the center floorboards were sliding away to reveal a secret room under the church. as I sat there, open-mouthed, they slid under the altar completely, and I could see a staircase leading down into the basement. the old man was in there, using a crank to open the floor with an elaborate system of pulleys and weights. he motioned that I should go down the stairs.
I had heard that old town was full of ancient secret passageways and tunnels. maybe this was one of them.
in the secret room, he showed me glass display cases, each full of dozens and dozens of intricately painted eggs. I had no idea what they were for, but they were beautiful.
then he took me through the whole church complex, up and down stairs and ladders, through passageways and under low-hanging beams. there were living quarters, places for drafting and drawing, places for making paper in giant vats, straining it in frames, and hanging it up to dry. there were spiral staircases and hidden attic rooms, full of beautiful drawings and calligraphy. and it was all completely ancient-looking and I could not believe I was the only guest. I kept laughing out loud and saying Wow. this was the tallinn I had dreamed of experiencing.
we went back out into the sunny courtyard. one of the younger men doing woodwork said something to the old man. they chatted for a bit (in ukrainian? russian?) and then the younger man introduced himself in english. his name was nestor and his father, anatoly. he told me that his father was the caretaker of the church. he himself was an artist. they sometimes stayed at the church complex, sometimes at their own homes, and were glad to give tours to anyone who knocked on the door.
we went upstairs for tea. through nestor, I learned that the ukrainian greek catholic community in tallinn was small but active, had been suppressed during the soviet occupation but had met in secret, and bounced back with vigor after independence.
nestor showed me a copy of a book he'd illustrated, The Poetics of Endangered Species. each page contained a beautiful watercolor of an endangered bird, animal, or plant, and a poem written by estonian poet timo maran from that organism's point of view. hence, cepaea nemoralis, or brown-lipped snail, says:
quietly I crawl carrying
my own house
and never ever have I
stepped on
anyone at all
I told them about my around-the-world trip, about my job in antarctica, and about the occasional loneliness that comes with traveling solo. about how being surrounded by people doesn't necessarily mean companionship, and how most interaction with locals is shallow and brief -- buying a meal or a souvenir, or having a conversation in a train or bus. and they offered me a place to stay in the church.
I stayed there my last night in tallinn, in a tiny attic space up a flight of stairs and a ladder, and slept like the dead.
here is the best link I can find about the church:
http://www.teelistekirikud.ekn.ee/en_kirik.php?id=713
here's my favorite photo, from the window of the pancake place. apparently credit cards, alcohol and cigarettes are no-nos...along with horseback riding and trumpets.
I ferried back to stockholm, flew into heathrow and set out to kill an afternoon waiting to meet up with my camino friend leslie, who was arriving a few hours later. we would be crashing with her ex, stanley, in north london. I knew how I would spend my time waiting -- at the Tate Modern. I grabbed a steak 'n' cheese pasty, hopped on the tube and made a beeline for Bankside.
aside from the stylish name it shares with my three-year-old niece, the Tate's appeal lies in the fact that it is the largest modern art museum in the UK, free (except for some of the temporary exhibits), and housed in an architecturally interesting former power station (one of the largest spaces, the Turbine Room, is five stories tall). works are grouped thematically instad of chronologically, which introduces visitors to lesser-known artists by placing them alongside the more famous ones. I wandered for hours up and down the spacious halls filled with sculptures, paintings, and installations, and made sure to visit the gift shop for souvenirs emblazoned with the name 'Tate.'
my favorite sign at the museum, with its typically british choice of words, read: This room contains works of an explicit nature that some viewers may find challenging.
back on american soil at JFK, while waiting for my flight to burlington, I killed time in the food court over chinese take-out and read more of madeleine albright's book about religion's role in foreign policy, The Mighty and the Almighty, while seated -- appropriately -- between an elderly muslim man and a young hasidic jew. the muslim man was drinking a bottle of soda and hiccuping while the young jewish man studied a small paperback written in hebrew. god bless america.
it felt strange to pay for my take-out with american bills. it felt even stranger to be able to understand the voices on the PA system without really trying. and I could read ingredient labels again! dextrose...emulsifier...*sigh*. lovely.
http://www.pbs.org/wgbh/pages/frontline/shows/walmart/transform/protest.html
the first thing we did was to take in an off-off broadway show called Walmartopia!. I haven't laughed that hard in ages. I think I may have (slightly) lost control of my bladder at one point. here's the website:
http://www.walmartopia.com/
my sister lives in a sterile suburb in hawaii, which is ethnically but not quite culturally diverse. we were walking around greenwich village when she leaned in and whispered, I keep seeing all these Amish people everywhere.
after a moment, I realized she was talking about the hasidim. I explained the difference. hasidim = jewish. amish = christian. we got a good laugh out of that.
ground zero resembled nothing so much as a huge construction site thronged by tourists. the sun beat down, a man tried relentlessly to sell me some postcards of the planes crashing into the north and south towers, and I started to feel claustrophobic. there was nothing sacred about the site. I decided instead to duck into a church across the street, st. paul's, which had been used as a resting-and-refueling station for rescue workers after 9/11. as soon as I entered the church doors, I knew that this was a place for healing. it had been turned into a museum of sorts, filled with children's artwork and old 'missing person' fliers. people moved reverently around the sanctuary, looking at the photos and memorabilia, or sat silently in the pews. I managed about two and a half minutes before I completely lost it.
what am I reading? my sister brought me a book to read while in NYC -- a memoir called the glass castle. it's a quick, engrossing read about four children that basically raise themselves under horrific circumstances imposed by their well-meaning by ultimately irresponsible and selfish parents. I can also heartily recommend the albright book. I'm now reading karen armstrong's the spiral staircase, about surviving her seven years as a nun and her evolution into one of today's most respected and in-demand comparative-religion experts.
lest you're wondering why cindy would take a trip around the world only to mash the last bit into a few weeks' time, the answer is that somewhere in all of this traveling I decided to go back to antarctica for a third season. I am nearly PQd (medically cleared) at this point, and scheduled to fly down on the first flight of the austral summer. that means I will be spending a mere week in seattle, packing, going through a year's worth of mail, and catching up with friends before heading to denver for orientation on the 26th or 27th of this month. I'll be doing the same job I did in the chalet last season -- senior admin coordinator for mcmurdo station -- but this time without the steep learning curve; and working with the same team of fabu-rous ladies (the 'chaladies'), something I'm really excited about.
sorry for the long silence between postings. hope this finds everyone tarantula-free.
XO chalet (again) cindy
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